Product Details & Resources Meet the StudioLive 16.0.2! Our first-generation StudioLive™ 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. So we packed the same audio quality, performance, and seamlessly integrated software (including remote control) into a smaller, even more affordable package: the StudioLive 16.0.2. It's far more powerful than its size might lead you to believe. Registered StudioLive AI-series mixer owners can download the latest version of Universal Control-AI with Smaart-enhanced VSL-AI from their MyPreSonus user accounts. No thanks 1-month free. Find out why Close. PreSonus VSL (Virtual Studio Live) Software HarmonyCentral. PreSonus Virtual StudioLive (VSL). Furthermore, it's amazingly lightweight and offers MIDI control—unique in the StudioLive line. It's easy to love this portable powerhouse. Bigger possibilities. In a “footprint” of less than 2 square feet (0.19 sq. Meters), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (It has a total of 13 Class A mic preamps, including the Talkback input.). At PreSonus, we know that the mic preamplifier is a key component in the sonic quality of a recording. The StudioLive includes custom-designed, high-voltage, discrete, XMAX Class A microphone preamplifiers that are suitable for use with all types of microphones. The job of a microphone preamplifier in a digital mixer is to boost a microphone-level signal to line level before conversion to the digital domain. A good preamp boosts the level to almost 400 times that of the original signal, making the preamp one of the most important stages in an interface. A cheap, off-the-shelf, op-amp-type mic preamp delivers thin, noisy, harsh results. But with XMAX preamps, the sonic quality is limited only by what microphone you plug into it. XMAX preamplifiers are built with three key elements: • High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound. • Discrete components—not op-amps. We only use genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. Our discrete design delivers ultra-low noise and transparency. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps. The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency, with smooth highs, solid deep lows, and everything in between. But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. Superb sound from the interface experts. Ease of use and powerful features only count if the sound quality is equally impressive. After all, it really comes down to how clean the signal path is and how well the mixing algorithms perform. That’s why you should choose a digital mixer made by PreSonus, a company already famous for its analog mic preamps, pristine digital interfaces, and well-regarded signal processors. Ultra-high-headroom, 32-bit floating-point processing is used for all digital mixing. All analog inputs and outputs use the highest-quality digital converters available, with +118 dB dynamic range, for spectacular sonic results and unmatched musicality. Synchronization to your computer is stable and robust, thanks to JetPLL™ synchronization technology. JetPLL™ incorporates noise shaping to virtually remove all audio-band jitter, ensuring near-perfect clock performance and optimal converter performance when networking two or more digital-audio devices. JetPLL quickly locks to any digital format through a wide range of frequencies and is extremely robust and tolerant of wide variations in clock frequencies. As a result, you’ll experience better stereo separation and clearer, more transparent audio. The ease of analog meets the power of digital. Among the employees of PreSonus, there are more band members than you can shake a mic stand. All of us have lived with conventional mixers for years. And many of us have struggled with the less-than-intuitive interfaces of earlier digital mixers — bank switching, layers, nested menus, etc. So when we designed StudioLive, one of our primary goals was to provide a familiar interface that would keep all critical controls visible and accessible —not buried inside multiple menus. Sit down at a StudioLive 16.0.2, and you see easily accessed, color-coded function buttons for Mute and Solo; rotary trim controls; and clearly labeled, individual knobs for EQ and dynamics processing. Aux sends have their own physical controls. Every channel has a big, bright meter display.
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